Video Transitions

Add smooth transitions between video clips.

Place a fade, dissolve, wipe, slide, or whip on the join between two shots. The default is still a hard cut. Duration is yours to set.

A transition should serve the cut, not decorate every edit.

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Two shots · one join

Outgoing clip before a Cubix transitionClip A
Incoming clip after a Cubix transitionClip B

Dissolve shown · duration is yours

What is a video transition?

A video transition is the visual join between two adjacent clips. A cut is instantaneous. A fade, dissolve, wipe, or whip interpolates from the outgoing shot to the incoming one over a duration you choose. Cubix applies a transition to that join — it does not restyle the clips themselves.

The cut can disappear without the story disappearing.

Most joins should stay cuts. A dissolve can carry a change in time or place. A fade through black can mark a section. A whip can match a camera move. The job is choosing the join that the two shots can support.

Outgoing shot for a cut transition
Incoming shot for a cut transition

Cut

No transition. The default, and usually right.

Outgoing shot for a fade transition
Incoming shot for a fade transition

Fade

Through black, or in and out of a shot.

Outgoing shot for a dissolve transition
Incoming shot for a dissolve transition

Dissolve

A cross-blend between two pictures.

Outgoing shot for a whip transition
Incoming shot for a whip transition

Whip

A fast pan between the outgoing and incoming shot.

Transitions Cubix can place on a join

  1. 01

    Cut stays the default

    If you add nothing, the join is a hard cut. Remove a transition and it returns to a cut.

    Default join

  2. 02

    Fade, dissolve, and flash

    Fade, Fade In, Fade Out, Dissolve, and Flash cover the basic blends. Flash is a short hit; fades default longer.

    Blend family

  3. 03

    Wipes, slides, and circles

    Wipe and slide in eight and four directions, plus Circle Open, Circle Close, and Radial.

    Directional

  4. 04

    Whip, blur zoom, spin, push, glitch

    Shorter, more directional joins for montages and energy edits. Duration is still editable.

    Energy joins

  5. 05

    Duration on the join

    Set duration in seconds (nudged in 0.1s steps, minimum 0.1s). The transition cannot be longer than the clips can spare.

    0.1s steps

How to add transitions between clips

  1. 1

    Put two clips next to each other

    A transition lives on the cut. Trim the outgoing and incoming shots so the join is already timed before you decorate it.

  2. 2

    Choose the join

    Leave it as a cut, or pick Fade, Dissolve, a wipe or slide, Whip, Blur Zoom, Spin, Push, or Glitch.

  3. 3

    Set duration

    Shorten a whip. Lengthen a dissolve if the pictures can hold it. Preview from before the cut, with audio on.

  4. 4

    Match the rest of the edit

    Use the same family of joins in a sequence. Mix a whip into a dialogue scene only if the camera already moves that way.

Transition controls

The useful controls are the type of join and how long it lasts. Cubix does not expose a separate easing picker or audio-crossfade control on transitions.

Join

What happens between the shots.

Energy

When a blend is too soft.

Duration

Length of the join, in seconds.

Joins in the picker

  • Fade / Dissolve
  • Wipe Left–Right
  • Slide Up–Down
  • Circle Open
  • Whip
  • Blur Zoom
  • Spin
  • Push
  • Glitch

Cutting a montage to music? → Open Beat Edit

When a transition is the wrong tool

Beat Edit / Make it a Banger

“The join is part of a whole-edit rhythm.”

  • Cuts snap to a beat grid
  • Accents can include zooms and flashes on hits
  • The treatment is a pass across the sequence

Video Transitions

“This join, this duration.”

  • One cut at a time
  • Fade, dissolve, wipe, whip, and related joins
  • Duration you set on that transition
  • Back to a hard cut whenever you remove it

Open Beat Edit →

Joins that show up in real edits

Video editor wearing headphones at a desk, reviewing a multi-clip vlog timeline in a dark room

Vlogs

Travel and day-in-the-life cuts often use a dissolve when time has passed, and a cut when it has not.

Vlogs →

Hands holding a smartphone showing a social photo grid of lifestyle posts, the destination for short-form video

Shorts & Reels

Short-form usually wants cuts. A whip or flash earns its place on a beat, not on every clip.

Shorts & Reels →Make it a Banger

YouTube creator desk with an overhead camera pointed at a keyboard, an ultrawide monitor, and a laptop — a raw long-form recording setup

YouTube videos

Talking-head A-roll almost always wants a cut. Save fades for section breaks and end cards.

YouTube videos →

Time the join. Do not invent a new shot.

A transition cannot fix two clips that are already the wrong length. Trim first, then choose the join.

Cubix provides

  • Hard cut as the default
  • Fade, dissolve, flash, wipes, slides, and circles
  • Whip, blur zoom, spin, push, and glitch
  • Duration control on the selected join

You decide

  • Whether the join should stay a cut
  • Which two shots can support a blend
  • How long the transition lasts
  • Whether a beat-aware workflow should place the cuts instead

Video transition FAQs

Use a cut when the action or speech already connects the shots. Use a dissolve for a change in time, place, or mood. Use a fade through black for a section break. Use a whip or slide when the camera or subject already moves in that direction.

A dissolve blends the outgoing picture into the incoming one. A fade typically goes through black (or fades a single shot in or out). Dissolve keeps both images on screen during the join; fade lets the picture go dark in between.

A hard cut is two clips placed next to each other with no transition. It is Cubix’s default, and it is the right join for most dialogue and most A-roll.

Transitions are placed on a join. Apply the one you want between two clips, then repeat where another join needs the same family. There is no requirement to dress every cut.

Start short. Whips and flashes in Cubix default under half a second. Fades and dissolves default longer. If the outgoing image goes muddy before the incoming subject arrives, shorten it.

Picture transitions do not expose a separate audio-crossfade control. For audio overlaps and fades, use Audio Controls or Smooth Cut on the soundtrack.

Yes. Removing it returns the join to a hard cut. The clips stay where they were.

A whip reads as energy and direction. A dissolve reads as time passing. If the shots do not share a motion, a whip often looks forced.

Beat Edit places cuts on a music grid across the sequence. Video Transitions is the manual join between two clips. Use Beat Edit for a montage pass; use Transitions when one cut needs a specific blend.

Duration is limited by how much of each clip is available. Very short shots may only support a brief join, or a cut.

Building a montage that should hit the music? Open Make it a Banger

Most joins should stay cuts.The rest should be timed, not decorated.

Add a fade, dissolve, or whip where the two shots can hold it, then set the duration.

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